The work The Hidden Place, through cooperation between traditional and new media, poses questions about the structure of the global society of morally deviant principles, which is based on the invisible and ubiquitous supervision and control of individuals by centers of power, loss of privacy and personal sovereignty. The work problematizes and questions the existence of an escapist, hidden place where man is free. The illusion of freedom, similarly to a beautiful, seductive but porous and fragile image, becomes apparent.

Drawing has occupied the most significant position in my practice since 2009 In the beginning, drawing over old books’ pages made it possible to ground images upon which large-scale installations found a way to emerge as new and complex realities. Later on, the book pages in a much more profound way merged with the work and by means of their content unambiguously took part in articulating its message. In the image-making process thus conceived, my practice actively and persistently inscribes itself on what might be called political subjectivities torn between governing and the governed, between power and subjection, between sovereignty and resistance.